HUANG Wan-Ling
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2009  M.F.A. Printmaking, Graduate School of Plastic Arts,Taipei National University of the Arts (TNUA), Taipei, Taiwan
2005  B.F.A. Printmaking, Department of the Fine Arts, TNUA, Taipei,Taiwan

2015  Traveling Notes, 182 Art Space, Tainan, Taiwan
2013  Fashion Fetishism-Huang, Wanling Solo Exhibition, Art Taipei,  Taipei, Taiwan
Sacrifice-Huang, Wanling Solo ExhibitionH.T. GalleryBeijing, China
2008  Gongyangren , Perhaps Happiness Never Existsまるで .Merry-go-round, AKI Gallery, Taipei / ARTHIS FINE ARTS ,Taichung, Taiwan

Project Island Hopping – Reversing Imperialism: Lander, Jorge B.Vargas Museum and Filipiniana Research Center, Quezon City, Philippines
3d Taiwan Annual, TAIPEI EXPO PARK EXPO Dome, Taipei, Taiwan
Fleeting Landscape, Helios Gallery, Taipei, Taiwan
Listen to the thunder at a silent place, Moon Gallery, Taichung, Taiwan
Archipelago on an Island, Koganecho Site-A Gallery, Yokohama, Japan
Future Theatre, Kuandu Museum Of Arts, Taipei, Taiwan
Phiau-phiet ê - Group Exhibition of Taipei ARTISTS, Openspace Bae, Busan, Korea
2nd Taiwan Annual, TAIPEI EXPO PARK EXPO Dome, Taipei, Taiwan
10e Triennale Mondiale de l'Estampe, Chamalières, France
Local to Local, ARTFORUM RHEE, Seoul, Korea
CROSSOVER , FreeS Art Space, Taipei, Taiwan
EXTRAORDINARY-25th Anniversary of Soka Art, Remarkable-Cultivation Museum of Arts, Tainan, Taiwan
ART.FAIR | Fair for modern and contemporary art, Koelnmesse Hall 1 and 2, Cologne, Germany
1st Taiwan Annual, TAIPEI EXPO PARK EXPO Dome, Taipei, Taiwan
New Taiwan Mural Team- Theather for All, National Taichung Theater, Taichung, Taiwan
Dialogue on Printmaking: The Taiwan-US Exchange Exhibition, Taipei Economic and Cultural Office, New York, USA
Reunion, TaipeiING, Taipei, Taiwan
Shaking, Butchartart International Contemporary Art Space,Taipei, Taiwan
Shong Dong International Printmaking Invitational Exhibition,Center of Contemporary art Shong Dong, Nanjing, China
Future Flash Fiction, FreeS Art Space, Taipei, Taiwan
City museum of art-Voice, Taipei city, Taiwan
Artist fair Taiwan, TAIPEI EXPO PARK EXPO Dome, Taipei, Taiwan

Residency Career
2017  Songgu Monastery, China
2013  Vermont Studio Center, USA

2013  Selected byMADE IN TAIWANyoung artist discovery
2005 Selected work, The 12th International Biennial Print 
and Drawing Exhibition, R.O.C

2018  R301, Room18. Art Studio, ARTBANK, Taiwan
2016  Traveling Notes No. 5~9, ARTBANK, Taiwan
2015 Traveling Notes No.1~9, Collecting by White 
Rabbit Gallery,Sydney, Australia
2013  Traveling Notes No.1~4, ARTBANK, Taiwan
2011 Lane.96,Kunming St, Collecting by Kuandu Museum of Arts
, Taipei, Taiwan
2007 Jeni and me in Hsimending, Collecting Young Artists’ Works
Project, National Taiwan Museum of Fine Arts
2004 Old Skateboarder, Ancient-costume Boy, Mongolian Fashion
, Green-scarf Arhat, Private Collection of Art Museum @The Art Park
, Shinchu

Traveling Notes, 30x1650cm, watermark woodcut, 2010-2015

Traveling Notes, watermark woodcut, 2013-2015 (details)

Between(2), 218x600cm, ink.xuan paper.acrylic.glue, 2015

Gongyangren-The Future We Want ! 218x600cm,ink.xuan leaf,2015

R301.Room18 Studio,142x260cm,ink. papers.acrylic.glue,2017

Laurene Gitton 

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BA Fine Art, Critical Studies and studio Practice
Goldsmiths College, London (UK)

2018 "Veuillez décliner mon identité" by Florent Matéo, set design, Paris (France)
2018 Mozilla Festival, London (UK)
2018 Atelier Médicis residency with Gaétan BarbéClichy-sous-bois, (France)
2016 Salem Art Works residency, Salem (USA)

"Anonymous Avatars", 6 months residency with the support of Ateliers MédicisClichy-sous-bois and Montfermeil (2018)

In collaboration with Gaetan Barbé, we launched new works during a residency at the Ateliers Médicis, based on deconstructing languages, social structures, genders performance with young teenagers, we kicked off group discussions based on different texts.

We called ourselves Anonymous Avatars, as a reference to the different representations one’s have of her/himself on social medias. We took over a former control room in a the Espace 93, and used it as a safe to unravel words painted on all the surfaces of the black room. As the conversations developed, we translated our thoughts into many intuitive diagrams that each participant could be a part of. By systematically explaining our thoughts and feelings like this, we managed to extract what was so political about them. We organised several workshops over 10 months including discussions, picnics, poster campaign and shooting of a video clip.

Salem Art Works, mixed medias - Salem, USA (2016)   

Untitled, news paper and cotton thread (2009)

Text by Stéphane Bottéro, curator at Zone Sensible, Saint-Denis, France

Laurène Gitton's work deals with the representation of destruction and loss. Working across a wide range of material references and elements from visual culture, she adresses the elusive relationships between violence and the contemporary gaze. In her sculptures and installations, destructive gestures become generative of the artistic process. Fictive protheses, slashed photographs, manipulated texts question the viewer: broken artefacts or failed reparations? The immanent violence embedded in the works draws the viewer's attention to peripheral parameters: the way an image is framed, what surrounds a suppressed object, details usually overlooked. Georges Bataille placed on a same plane desire and loss, calling for a poetics of non-knowing. The disturbing feeling of absence encountered in Laurène Gitton's work suggests that void might have something to teach. In her sculptural book “Untitled”, press portraits collected over a period of several months are systematically concatenated, the subject physically cut out from each page. In order to reconstruct the reality they refer to, the viewer's gaze turns to secondary semantics: colors, clothes, backgrounds. The book is made in such a way that turning the page distractedly would destroy it. It operates as a double critique of contemporary media: violence captures attention, but we are reminded of the fragility of this état d'esprit. After all, just as matter followsdialectis of accumulation and organization of entropy, an artwork projects a particular state of mind on an inevitably transitional state of things.

Jerzy Goliszewski

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2003–2008 Master of Arts (Painting) at Academy of Fine Arts in Warsaw
2001–2002 Graphic design, Academy of Fine Arts in Warsaw

2018 Rockets to nowhere, Monopol Gallery, Warsaw, PL
2017 Vortex, Art Box, Warsaw, PL
2015 Bits and pieces, Bailly Gallery, Geneva, CH
2013 Awakening, Exhibiton Bureau, Warsaw, PL
2011 We’re going out, Art NEW media Gallery, Warsaw, PL

2017 Volatile Truth, Rainbow Unicorn, Berlin, DE
     Adventures with Op-Art, Stefan Gierowski Fundation, Warsaw, PL
     Art and timeless values, MCSW Elektrownia, Radom, PL
     Blind Fields, Dom Kultury Kadr, Warsaw, PL
     Co z tą abstrakcją?, Stefan Gierowski Fundation, Warsaw, PL
2016 Art and timeless values, Galeria Delfiny, Warsaw, PL
2015 Mere Formality, Galeria Labirynt, Lublin, PL
2014 Shadow Architecture, Museum of Modern Art, Warsaw, PL
     Another formula of image, Salon Akademii, Warsaw, PL
     Wo meine sonne scheint, Art Rotterdam Week, Rotterdam, NL

Residency Career 
2013 Residency S-AIR, Sapporo, Japan.
Residency Springhause, Dresden, Germany.
2010 Residency The SPACES World Artists Program , Cleveland, OH, USA

Awards and others
2016 Art Paris Art Fair, Paris, France
2014 Ministry of Culture scholarship - Young Poland
     Art Rotterdam Week, Rotterdam, Netherlands
2010 CEC ArtsLink Awards Recipient, New York, NY, USA
2008 First prize winner in the Józef Szajna Award, Warsaw, Poland

Collection of dr. Bożena Kowalska and Mazovian Center of Contemporary Art Elektrownia in Radom, Poland

                                          Nightfall (2017), 180x150x2 cm, painted aluminum

                                      100 Suns (2017), 100x95x6 cm, powder coated steel

                              Rockets (2017), various sizes, powder coated aluminum or steel
                                        (here with another work, 100 Suns, in the center)

                                       Northstar (2017), 100x100x2 cm, latex, aluminum, plywood

Shootingstar (2017), 100 cm, polished aluminum

                                            X1 (2017), 150x150x14 cm, polished aluminum

                                              Rockets to nowhere (2018) exhibition view

sobandwine (Dominic Khoo & Leow Wei Li / TEAM) 
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Dominic Khoo
2015 - 2018 BA (hons) in Electronic Music, LASALLE College of the Arts, Singapore
Leow Wei Li 
2014 - 2016 BA (hons) in Fine Arts, LASALLE College of the Arts, Singapore

2018 READ! Festival 2018 (installation), Singapore
2018 ARTWALK Little India Festival 2018 (mural), Singapore 

2017 Namwon Sound Artist Residency

                                 “Membrane”, 2x2m, Sound Installation, READ! Festival Singapore 2018

                                 “Untitled”, Mural Painting, Wanderlust Hotel Singapore, 2018

                                “48V25A”, Sound Installation, Namwon Korean Broadcast Station, 2018


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Julia Gruner
2015 Masters degree
2010–2015 Studies of Fine Art at Kunstakademie Duesseldorf in the class of Prof. Katharina Grosse
2007–2008 Bezalel Academy of Art and Design, Jerusalem, Israel
2005–2010 Studies of Communication Design at University of Applied Science Hamburg (masters degree)

Liza Dieckwisch 
2015 Diploma-Degree at the Kunstakademie Duesseldorf, Germany 
2014 Meisterschülerin of Prof. Katharina Grosse 
2009-2015 Fine Arts at the Kunstakademie Duesseldorf in the class of Prof. Katharina Grosse  



2017 ACIDATE:::::(take that):::::sweet, Baustelle Schaustelle, Essen (DE)
2016 ACIDATE:::::(take that):::::saucy, Baustelle Schaustelle, Essen (DE)
2015 SW EAT SUCKER, Kunstraum Kirchstrasse, Dusseldorf (DE)
2015 SILIKONVALLEY – Ein soziales Plastik, Matjo – Raum fur Kunst, Cologne (DE)


ACIDATE:::::(take that):::::saucy 
Exhibition project by Liza Dieckwisch, Romina Dumler, Julia Gruner and Klara Kayser, 2016 
Baustelle Schaustelle, Essen, Germany

Part of the exhibition were purple potatoes that were baked in salt dough and could be eaten by the visitors.

ACIDATE:::::(take that):::::sweet 
Exhibition project by Liza Dieckwisch, Romina Dumler, Julia Gruner and Klara Kayser, 2017 

Baustelle Schaustelle, Essen, Germany

The materials of the former exhibition ACIDATE:::::(take that):::::saucy were transformed into an artist book. Next to reading the book the visitors could drink sweet rose milk, that was colored with blue edible flowers.

Exhibition project by Liza Dieckwisch, Julia Gruner, Klara Kayser and Palina Vetter,2015 
Kunstraum Kirchstrasse, Dusseldorf, Germany

Part of the exhibition were japanese Mochis, the visitors could eat.

SILIKONVALLEY – Ein soziales Plastik
Exhibition project by Liza Dieckwisch, Julia Gruner, Klara Kayser and Palina Vetter, 2015 
Matjo – Raum fur Kunst, Cologne, Germany